The Arsenal and theatre in Hvar
The Fontik (communal store for cereals and salt) on its northern side was completed afterwards, and on the floor entrance door to its terrace year 1612 is engraved: ANNO SECUNDO PACIS MDCXII.
The engraved year marks the completion of construction of the Renaissance theatre, which is located upstairs. The completion of the Arsenal and the construction of the Fontik, as well as the execution of the theatre, relate to Governor Semitecola between 1610 and 1613, but the construction of the ground arches is mentioned in 1609 in the report of Governor General Marcantoni Venier. The Arsenal arches were not only used as support to the construction, they were built to reinforce the floor loads above them, which shows that even prior to Semitecola's intervention, the idea was born of the Fontik as entrance to the planned floor.
Venier mentions that at the time of his report two more arches are being built to complete half the construction. Clearly the intervention had to be extremely significant to the city even before Semitecola's venture, as the extremely expensive arch construction, as preparation for this investment, would not have been executed only for storage of cookies /baškoti/ for which the Arsenal floor was used, amongst other, at the time of Duke Contarini. At the turn of the 16th to the 17th century excellent builders of the famous Bokanić family from Pučišća are active in the town of Hvar. The most significant of them is architect and sculptor Trifun Bokanić, recognized even before in major interventions in Trogir and Hvar main squares.
The most recent conservation research recognize Bokanić's manner in the structures of the Arsenal and the Fontik, erected opposite the City Lodge, one of the greatest achievements of the builder from Pučišća, although the works on rebuilding the arsenal were completed three years after his sudden death.
Protection works on the structure began in 1989 with the preparation of necessary documentation, to be followed, after 1996, by works covering the complete constructive renovation of the building, from foundation to roof, including the renovation of the wooden structure of the theatre two-story loges. Archaeological excavations were carried out on the entire ground floor, where the late antique city matrix and the ancient coastline of Hvar were discovered.
The interior of the theatre has been completely restored and the original floor and walls upstairs were restored by using natural materials, plaster and exterior carpentry, entirely made according to the existing one. Of the early 17th century theatre interiors, a part of the floor paved with terracotta has been preserved, and the one restored was made according to panels found when researching the interior. The theatre lobby area has been minimally redesigned for new purposes and the polyvalent character of the renovated public building. During the restoration of the building and presentation of the interior, various specialized works were carried out from restoration of the facade and interior stone elements, to works on restoration of wall and ceiling paintings in the theatre, as well as protection of the stage wall painting and complete restoration of the theatre loges.
Since 1990, the Ministry of the Republic of Croatia, with the help and support of the City of Hvar, continuously with shorter interruptions, invests and finances the demanding project of reconstruction of the HVAR arsenal with the historical theatre. The preparation of the documentation was followed by a constructive restoration of the building, then a reconstruction and interior design of a monument of exceptional value. The works have been carried out by numerous Croatian restoration companies including the Croatian Conservation Institute.
To date, a total of HRK 35,000,000.00 has been invested, of which the City of Hvar has allocated HRK 15,000,000.00 from separate income tax funds, followed by the Ministry of Culture in the amount of 14,000,000,00 by March 2018, while by the end of 2018, another 6,180,056.25 HRK of state aid was allocated, VAT included, and the funds were mostly provided by the Ministry of Culture of the Republic of Croatia and the Ministry of Regional Development and EU Funds of the Republic of Croatia.
The reconstruction was managed by the Conservation Department of the Ministry of Culture in Split for thirty years, including the war and post-war periods, when restoration priorities became destroyed, and monuments and areas ruined. The reconstruction, in light of the complexity of the process, represents a real venture that demonstrates the ability of the Croatian restoration profession, as it used its own strength and capacities to bring to an end a complete restoration work and extremely delicate job. The century-old tradition of the conservation service, the first institutional protection service in Europe, has certainly contributed to that, as well as the development of the restoration discipline which has given its contribution to a comprehensive restoration of cultural monuments carried out after the end of the Homeland War.