Literatura

U Rijeci je održan međunarodni seminar na temu razvoja publike: Applause please
Rujan 4. – 6. 2017
Rijeka, Hrvatska, OKC Palach

Preuzmite seminarsku skriptu s poveznice. (PDF, 3.5MB)

 

• Bollo, A., Da Milano, C., Gariboldi, A. and Torch, C. (2017). Study on Audience Development. How to place audiences at the centre of cultural organisations. Executive Summary (Fondazione Fitzcarraldo, Culture Action Europe, ECCOM Progetti s.r.l., Intercult)
• Bollo, A., Da Milano, C., Gariboldi, A. and Torch, C. (2017). Guide part I - Tools of Audience Development: a practical guide for cultural operators, Study on Audience Development - How to place audiences at the centre of cultural organisations, European Commission (Fondazione Fitzcarraldo, Culture Action Europe, ECCOM Progetti s.r.l., Intercult)
   
• Bollo, A., Da Milano, C., Gariboldi, A. and Torch, C. (2017). Guide Part II – Rules for Audience Development: Key recommendations, Study on Audience Development - How to place audiences at the centre of cultural organisations, European Commission (Fondazione Fitzcarraldo, Culture Action Europe, ECCOM Progetti s.r.l., Intercult)
   
• Nobuko Kawashima. (2000). Beyond the Division of Attenders vs Non-attenders: a study into audience development in policy and practice, Research Fellow
   
• Garcia, B. and Cox, T. European Capitals of Culture: Success strategies and long term effects, paragraph 4.7. Audiences, participants and volunteers
   
• European Audiences: 2020 and beyond, Conference conclusions
   
• Brown, Alan and Rebecca Ratzkin. (2011). Making Sense of Audience Engagement. San Francisco, The San Francisco Foundation 
• Da Milano, Cristina and Niels Righolt. (2015).Mapping of practices in the EU Member States on promoting access to culture via digital means. EENC Report
• Righolt, Niels. (2015). Promotion of access to culture via digital means. EENC Policy Paper
• Laursen, Anneken Appel, Niels Righolt, Danielle Guldmann Sekwati, Sofie Ilsøe Sjöblom & Christina Papsø Weber. (2014). Tools for change. How Outreach Makes Museums Matter. Copenhagen: Center for Kunst & Interkultur 2014, ISBN 9788778751034
• Matarasso, François. (2010). Full, free and equal: The social impact of participation in the arts. -
• Topgaard, R. (ed.). (2015). How the Lion Learned to Moonwalk. Malmö University.
• Maitland, Heather. (2000). A Guide to Audience Development. London: Arts Council of England
   
• Morton Smyth Limited. (2004). Not for the likes of you. In: How to Reach a Broader Audience, Arts Council of England
• ADESTE. (2014). Research Report on New Training Needs.
• Adeste Project. (2014). Research Report on New Training Needs
• Kawashima, Nobuko. (2000). Beyond the Division of Attenders vs. Non-attenders: a study into audience development in policy and practice. Centre for Cultural Policy Studies
• Morton Smyth Limited. (2004). Not for the likes of you. How to Reach a Broader Audience. Arts Council of England
• Wadeson, I. (2008). The relationship between mission statements and the people they serve.
• Wlazeł, A.; Etmanowicz, A.; Skalska, A.;Jurkowska, E. (eds.). (2011). Sztuka dla widza! Koncepcja rozwoju widowni. Wprowadzenie, Warszawa.
• Jonathan Goodacre. (2013). Introduction to Evaluation. The Audience Agency
• Walmsley, B. (2013). “Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value”. In: Journal of Arts and Communities 4.3, 199215
• Woolf, F. (2004). Partnerships for learning: a guide to evaluating arts education projects.
• Culture Hive -  http://www.culturehive.co.uk/
• A wide range of articles on audience development, arts marketing, fundraising and a variety of topics.
• The Audience Agency - https://www.theaudienceagency.org/insight
• A series of articles and case studies about audience development, connected to the work of the organisation.